蜿蜒幽暗裡的火炬——探索台灣當代女詩人的憂鬱書寫

Explores Taiwan Present Age Female Poet’s Melancholy Writing

失序的心靈，對創作者而言，是否為跨越日常語言框限，朝更真實的意識底層挖索的路徑？詩歌用以表達「瘋狂」的主體，無疑是最佳的文學形式，它原本即斷裂、跳躍、重複、脫離現實表象、充滿象徵。有幾位台灣當代女詩人坦承自身曾受憂鬱症之苦，而她們的詩作是否能透露一些跨越語言邊界的線索？她們的病症與詩歌是否曾相互滲透，又以何種面貌呈現？性別論述在此問題上，能否察覺出相關性？本文試圖從精神分析式的文學研究面向，探討以上議題，欲找出一種解釋詩與憂鬱心靈關係的方法，藉此樹立理解詩作與詩人心靈的探照燈，同時對於詩歌語言的邊界作一釐測。

Loses the foreword the mind, speaking of the creator, whether to limitfor the spanning daily language frame, the dynasty more real consciousnessfirst floor digs rope's way? The poetry uses expresses “mad” the mainbody, without doubt is the best literature form, it is originally the break, thecaper, redundant, is separated from the realistic representation, to fill thesymbol. How many Taiwan present age female poet has to acknowledge thatoneself once received pain of the melancholia, but their poetic compositionwhether can disclose some spanning language boundary clue? Their illnessand poetry whether once mutually to seep, also presents by what kind ofappearance? Does the sex elaboration in this question, whether realizethe relevance? This article attempts from the energetic analytic expressionliterature research to face, discusses the above subject, wants to discoverone kind of explanation poem and the melancholy mind relations method,takes advantage of this sets up the understanding poetic composition andthe poet mind searchlight, simultaneously makes one thousandth regardingthe poetry language's boundary to measure.