英文摘要 |
Chiu Kuei-fen’s essay “Gender/Power/Postcolonial Discourse” highlights thesignificance of impotent male characters in postwar Taiwanese literature, openingthe possibility of male studies in the field of postcolonial feminism. Followingher argument, this essay combines the study of masculinity and postcolonialtheory to explore the economy of desire in some postcolonial novels from Taiwan.The first section of the essay articulates the conspiracy of colonial discourse andgender hierarchy: the colonizer often effeminates the colonized, thereby justifyingthe subjection of the other sex and the other people to colonial domination. Byreading Huang Chunming’s “Sayonara, Goodbye!”, this essay then focuses onthe homosocial relationship of the colonizer and the colonized, that is, a sense ofbrotherhood in the face of women as desirable objects. The final section developsthis concept and discusses how the colonized men suffer symbolic castration inWang Zhenhe’s Portraits of Beauties, how postcolonial struggles may unwiselyduplicate the violent nature of colonial masculinity in Li Yongping’s “A Pot ofSpring Fire” and how colonial men are tormented by their guilty consciousnessfor doing violence to the colonized and innocent in Huang Chunming’s “LittleWillows” The conclusion argues that the process of decolonization would run therisk of duplicating the violence of colonialism if the culture of masculinity inherentin nationalist struggles is not taken into serious consideration. |