情與眼：鍾理和小說〈蒼蠅〉中愛情意識的視覺與聽覺感官表述之現象學討論

he Affair and the Eyes: a Phenomenological Discuss of Visual and Audio Description of Conscious of Love Affair in Li-ho Chung's Housefly

鍾理和〈蒼蠅〉這篇小說以第三人稱限知觀點來敘述主角的愛情意識，以主角視角為主要敘事視角但卻也刻意與主角炙熱的愛情意識保持觀察的冷靜距離，這樣冷靜的「審美距離」使得者對小說中主角愛情示現的審美體驗成為可能。欲解析〈蒼蠅〉小說中的表述結構，可藉由視覺的表述以及愛情的示現兩方面來釐清，從意向主體、意向對象的視覺以及視覺中所示現的情感來探討小說中愛情意識的表述，並旁及聽覺，最後透過感官的表述，來注視〈蒼蠅〉小說裡主角愛情意識中的意向活動及脈絡。

Li-ho Chung's Housefly used third person point of view to describe the consciousness of love affair of the protagonist.  It employed the protagonist's view point as the main point of view to describe events, but it kept a distance from the protagonist's strong consciousness of love affair in order to observe every event calmly.  This kind of calm “appreciation distance” enabled the reader to experience the beautifulness of the protagonist's love affair. To analyze the construction of description in Housefly, we might start from two ways: visual description and presentation of love affair. We discussed the love affair in this novel from the subject of the intension, vision of the object of the intension, and the affair in the vision. Finally, we tracked the intension flow of the protagonist's love affair via sensory description.