考訂詳實，輯佚綴補──錢培名《小萬卷樓叢書》的編纂過程及其學術價值

The study of Qian Pei Ming and his “A Library Series of Xiao Wan Juan Lou”

清代是古籍叢書發展的黃金時期，除了著名的官修《四庫全書》之外，各家私刻叢書如雨後春筍般出現，其數量之多、種類之全，更勝於前代。清代中期以後，刊刻古籍之風蔚然興起，不僅輯刻，更注意爬梳整理、從事抉擇校讎，在鴉片戰爭以後，則有部分叢書轉向金石、目錄等專門性叢書，其中一部分仍舊沿襲乾嘉學風之餘波，以匯刻校勘古籍為重，《小萬卷樓叢書》即為其代表之一。
有鑒於此書尚未有專人進行研究，筆者望能開其先河，本文就錢培名之生平及編纂動機略作論述，從文獻記載中去探討他是如何在父親的身教及其影響下，決心編纂《小萬卷樓叢書》，並論其叢書之擇書標準，收編的書籍上至漢代的《越絕書》，下到清代的《武陵山人雜著》等，總共一十七種，可得知內容是橫跨時代不限門戶的，本文亦會針對札記及收錄書籍做分析。
在考察其體例內容時，從錢熙祚的《守山閣叢書》來作對照，來看錢培名是如何仿效其叔輩的體例，其體例又是什麼？並從而發掘本叢書之價值意義，包含廣引群書且考訂確實，補齊逸文使文章完全等，如《中論》一書則因其仔細校對，而補齊先前所缺佚的〈復三年喪〉及〈制役〉兩篇，這可謂說是一大創舉，使後來的人們可以窺見更完整的樣貌，從中考察徐幹的思想，針對逸文之內容，筆者在本文中也有額外的敘論。
最後，本文就錢培名的蒐書思想及其書特色等內容，將《小萬卷樓叢書》給予其定位。

Qing Dynasty is the golden age of the development of ancient books. Apart from the government-compiled Si Ku Quan Shu, various privately-compiled book collections sprang up like mushrooms, wining over that of in Ming Dynasty in terms of quantity and variety. After the midterm of Quing Dynasy, transcription of ancient book booms, focuses not only on copying itself, but also on organizing, choosing and proofreading. After Opium War, while content of the book collections has become specific, such as epigraphy, and bibliography, some of them are still affected by the aftermath of textual research from Zhang Xue-Cheng, focusing on the carving and proofreading of ancient books. A Library Series of Xiao Wan Juan Lou is a typical example.
Given the fact that this book has not been studied yet, we hope present study set as a precedent. We discuss Qian Pei Ming’s life story and motivation briefly and investigate how his father’s example and influence motivate him to compile A Library Series of Xiao Wan Juan Lou. We also discuss the criteria of books collection, which range from Yule Jue Shu in Han Dynasty to Wulling Shan Ren Zazhe in Qing Dynasty. All seventeen kinds of books indicate that the content is diachronous and across categories. Present study also analyze journals and the collected books.
Comparing to Qian Xi Zuo’s A Library Series of Shoushan Ge, we will examine how Qian Pei Ming follow his uncle’s modal and what are the modals? It is hope that through this process, we are able to explore the value of this book collection, including the widely-quoted various references, rigid proofreading, and complete the missing articles. For example, completing the lost works of Fu san nian sang and Service for the detailed examination of Chung-Lun is a remarkable milestone, enabling us to see the whole picture and examining Hsu Gan’s idea. For the content of the missing articles, present study also gives additional accounts for them.
Finally, present study gives A Library Series of Xiao Wan Juan Lou literature positioning based on its ideology of book collection and their features.