英文摘要 |
Recognized as a landmark in American literature, O'Connor's The Violent Bear It Away depicts a stark world haunted by religious frenzy. A boy's struggle of accepting or refusing the role of prophet being the central theme, this novel exhibits O'Connor's unique style as a Southern writer obsessed with the characters of grotesque and morbidity. While most critics discuss her religious theme and dark characters, this paper explores the inextricable entanglement of reason and unreason in human psyche by using Michel Foucault's Madness and Civilization as a theoretical framework. According to Foucault, the struggle of reason and unreason ends up the silencing of the latter. In The Violent Bear It Away, the two irreconcilable forces wage fierce war with the latter gaining the final triumph and leading to spiritual enlightenment. In O'Connor's fictional world, unreason is not silenced and marginalized as Foucault perceives in western civilization but empowered through violence to challenge the dominant discourses of reason and rationality. The contents of this paper are mainly divided into two parts. The first part analyzes the features of unreason as displayed by the Tarwater family. The second part illustrates the rational discourses derived from reason, with Rayber and Tarwater representing its power. As a locus of the struggle of reason and unreason, this novel blurs their boundary and involves them in dynamic interrogation with each other. This study reveals that unreason can be positive in the way that it transforms the rational self into an altruistic one through the breaking of ego boundary and the releasing of cosmic love. |