雲雨意象──鄧雅馨繪畫創作論述

Images from Cloud and Rain: The Artistic Production of Ya-hsin Deng

面對創作階段性的改變，深覺解決之道在於解放心靈。因此，本創作理念將定位在「雲雨意象」，以自然中的「雲雨」變化作為創作內容，探討雲雨意象的相關創作和中西自然觀其心靈的意涵。經由浪漫主義傳統的回歸自然藝術觀，與中國傳統美學──莊子「物我合一」自然觀做深探，及探討中西方和台灣的雲雨相關畫作，理論的分析與作品建構的過程中，達到繪畫轉變，同時由東西方美學的體悟得到理念上的提昇，創作與理論得以整合。研究方法將採行：一、理論研究法：筆者試以創作相關之中、西方自然美學、雲雨畫作等，架構出繪畫創作中的精神內涵；二、行動研究法：筆者在創作經驗的過程中，經由生活的體會不時的檢視自己，在行動中發現問題進而研究問題，不斷修正、調整再確立內容的要件，將自己對於創作的體悟和藝術理論結合。在筆者的創作中，試圖將自我心靈與大自然合一的感受，以晦暗的藝術型態，運用自動性技法，強調即興與自發的創作方式，加以表現主觀的精神，記錄與大自然的對話。

Facing the transformation of creative stage and deeply finding the solution is to relief the mind. Therefore, the creative concept, situated in “ Image of Cloud and Rain” and the change of “Cloud and Rain” in nature will discuss the relative creation and essential of mind between Chinese and Western natural perspective. Via Romanticism traditionally returns to the natural art perspective, Chinese traditional aesthetics- Zhuang-zi “Thing I Unite as One” and discuss the relative “Cloud and Rain” works between Chinese, the Western, and Taiwan. In the process of analysis of the theory and construction of work reach the transformation of paintings. From the experience of Chinese and Western aesthetics, the writer gains the transcendentalism of the belief spontaneously, so the creation and theory can combine together. The research methods will adopt:(a).Theoretical research methods: the writer tries to create the relative works, such as western natural aesthetics and cloud and rain paintings…etc., building the spiritual essence of painting creation.(b). Action research methods: the writer finds, analyzes, and revises the question in the course of creative experience. By the realization in life, the writer consistently retrospects himself and adjusts the accurate documents, which combine the experience of creation and art theory. In the writer’s paintings, which attempt to combine the feeling of the self-mind and Nature, apply to automatic skills with obscure art form and emphasize the improvisation, adding to the spirit of the manifestation subjectivity, recording the conversation with Nature that consist of the thesis.