英文摘要 |
This paper begins with the skepticism about the ontological reality of time raised by Augustine, which centers around the problem of the extension of time, and will see how it is dealt with in Kant’s Critique of Pure Reason. It first examines the treatment of time in “Transcendental Aesthetics”, in which time is merely a formal condition for experience. Then the second “analogies of experience”, namely the “permanence of substance”, in the schematism chapter, it has certain meaning of extension but is itself a paradoxical concept and cannot go beyond the mere assumption for possible experience. The central argument of this article is that the reality of time may be found in Kant’s “transcendental imagination” and its distinction from “reproductive imagination” and their relation with “empirical law”. It follows two hints provided by Heidegger, who argues that “transcendental imagination” provides a “free space” (Spielraum) or “open horizon” (offener Horizont) for other “reproductive imagination”, and that in every moment of intuition, time has already taken part in the formation of a given picture. It then draws from Kant’s description of time in his “transcendental aesthetics”, namely “succession” and “simultaneity”, and argues that in every experience about appearance, both of these must take part in the formation of experience. It concludes that the reality of time can be understood by Kant from the possibility if the formation of units for perception and knowledge. |