英文摘要 |
Scholars disagree about the form of penitential practice, Catholic, Calvinist, or Reformed English Church, represented in some of Shakespeare's plays. It seems contradictory interpretations are equally plausible and, consequently, some scholars have argued for Shakespeare's interest in representing/responding to religious conflict/controversy. This paper, however, argues that Shakespeare's play, The Winter's Tale, concerns communal harmony rather than conflict because the play embodies an aspect of penitential practice not yet explored by critics: its ability to restore disrupted social order. We can read The Winter's Tale as a theatrical exploration/interrogation of the Reformed English Church's use of repentance as a political tool for self-governance. The dramatization implies the limitations of human as well as divine counsels while also acknowledging the human counselors' contribution to a ruler's or nation's rejuvenation. Also, the play probes the danger of chains of sinful thoughts and seems to encourage timely repentance. It also suggests how politics becomes an emotional matter when a ruler, using the language of reformed repentance, experiences various emotional states of jealousy, wrath, sorrow and, ultimately, divine love. |