英文摘要 |
This research compares the spatial creation to Chinese calligraphy. This research analyzes styles of spatial configuration comparing them to different calligraphic styles and further operates a digital tool in order to clarify the relation between visual perception and visual interpretation in different spatial arrangement. This research applies visibility graph analysis of space syntax to survey spatial form. In total ten types of calligraphic spatial layouts are used. Each type of calligraphic space layout is drawn in a square. This square is subdivided in 9 smaller equal squares (3x3 matrix) that is a Chinese concept that underlies different forms of Chinese design and art. Quantitative interpretation model analysis results show that: (1).The results of two-dimensional calligraphy style analysis of“永"can be slightly read as the degree of its text recognition. R-squared of“Regular script"is 0.912031, which is higher than that of the oracle and cursive script (r-squared: 0.660356 and 0.558361, respectively). (2) The analysis results of three-dimensional space show that, while visual perception of certain types of spatial layout change a lot, it will be helpful for user’s spatial orientation of visual intelligibility. When the range and differences of visual integration are low, that means visual perception will be less affected by the deformation methods. For users, it is easy to become as the maze identified for the spatial configurations of ambiguous shape layouts. |