雙溪匯流：郭芝苑其人其作的個體性與社會性

Confluence of the two rivers: The Individuality and Sociality of Kuo, Chih Yuan and his works

《雙溪漁火》為作曲家郭芝苑所寫的臺語藝術歌曲，本文藉由此曲的第一句歌詞「兩溪匯合一溪流」作為引言，帶出郭芝苑及其作品的雙重性，即個體性與社會性，闡述這兩種特性是如何像兩條溪流般地並行、交錯、匯流。文中先介紹郭芝苑的生平，並將其創作歷程分成三個時期，然後進入雙重性主題，探討社會變遷下的「歌曲作品」與表現個體性的「器樂作品」，其中又將「歌曲作品」區分為妥協於社會環境的「中國藝術歌曲」，及體現個人理念的「臺語藝術歌曲」。最後分析其創作後期的臺語藝術歌曲與器樂曲，探究它們何以整合成一體。

＂Light of fishing boats on two streams＂ was a Taiwanese art song written by composer Kuo, Chih Yuan. This article uses the first sentence of lyrics of the song ＂two rivers confluence into a stream＂ as the introduction to implicate the duality of individuality and sociality of Kuo and his works. The lyrics describes how these two features are like two streams which sometimes parallel, crisscross or converge. This paper first gives an introduction about Kuo’s life and divides his creative process into three periods, then enters the duality of the theme to explore his ＂song works＂ that is influenced by social changes and his ＂instrumental works＂ that expresses individuality. Moreover, the ＂song works＂ is divided into ＂Chinese art songs＂ that is compromised under the social environment and ＂Taiwanese art songs＂ that reflects his personal philosophy. Finally, this paper analyzes Kuo’s Taiwanese art songs and instrumental music during his late period and explores how to integrate them into one as a whole.