釋南管工乂譜字

Interpreted Nanguan Gongche Score

南管工乂譜不同於其他民間音樂慣用的工尺譜，兩者差異為何。或曰工乂譜係由一般工尺譜岐生而成，或云前者比後這更古老，然文獻不足，此爭議尚待考證。儘管如此，譜字研究也衍生出問題，為何南管公乂譜不屬於首調工尺譜？管門可以稱為調嗎？譜字是音名，還是唱名？此等概念，係因應用西樂理論概念所致，棄而不談乎？西樂極其觀念早已融入我們的生活之中，南管音樂亦不能置身事外，若不能與時俱進，中國音樂的活化石也會變成骨董，因此，有必要釐清西風東漸所產生的影響，回歸認識的原初，重新認識工乂譜譜字的質性。

Nanguan Gongche Score is not the same with the Gongche Score of other folk music, today, scholars research there are many differences between the both, someone say, Nanguan Gongche Score is evolved form general Gongche Score; was also objected that Nanguan Gongche Score more ancient than the general Gongche Score, due to lack of documentation, there is no discernible method to resolve this dispute, however, the Score-word research, also brought out some problems, Nanguan Gongche score does not have a Movable-do in nature? Guanmen is not Diao (key or mode), what is that? Score-word is ＂pitch names＂ or ＂syllable names＂? In fact, these questions occurred after the introduction of Western music theory. If do not use Western music theory, then the problem does not exist? Nanguan music was known as the ＂living fossil＂ of Chinese music, meaning it is still alive, but if Nanguan music can’t advance with times, living fossil will become an antique. Western music and Western music concepts already penetrated our lives, Nanguan music impossible to avoid, this article is to clarify this part, return to the original understanding, the Gongche’s theoretical concept of influence by Western music theory, there is a new understanding.