英文摘要 |
From surviving correspondence, it is clear that Mozart loved his Walter fortepiano, the only instrument he owned during his adult life in Vienna and his instrument of choice for his performances throughout the city. The instrument still exists in Salzburg, where musicologists and fortepiano specialists have examined the instrument in detail to more accurately understand Mozart, his music, and his manner of performance. One such musicologist, Michael Latcham, documented his observations about the instrument in a 1997 Early Music article. Most significant among his comments is the contention that the knee levers, which control the damper-raising mechanism, might have been added to the instrument after Mozart had died. If Mozart composed and performed for the last nine years of his life on an instrument without knee levers, the modern pianist's understanding of Mozart's music would be altered drastically and some of the most important compositions in the history of Western music would have to be seen in a new light. Latcham's assertion was met with serious criticism and questioning. Several scholars have submitted their own arguments and evaluations of the evidence at hand, though each contributor recognizes that definitive proof has yet to be discovered. This presentation addresses both the historical and musical arguments from the two sides of the debate along with some previously overlooked considerations in an attempt to determine the likelihood that Mozart's instrument lacked knee levers during his lifetime. |