英文摘要 |
In this paper, I will point out: (1)The purpose of writing “Twin-capitals” was to justify rather than to criticize the removal of the capital from Ch'ang-an to Luo-yang; and since the “Twin-capitals” serves the vested interest of the court, it betrayed the traditional spirit of such rhapsodies, which was to satirize current events even while using the outward form of a hymn of praise. (2)“Twin-capitals” was the first writing in the field of art and literature to pronounce the concept of historical progress, which had flourished in scholastic circles of the Han Dynasty and originated in the Confucianism of the pre-Ch'in period. (3) There are significant differences between “Two Imperial Metro-polises” and “Twin-capitals”, and this is what makes it explainable that the Crown Prince Chao-ming anthologized both of them even though there are many similarities in many aspects such as lexicon, viewpoint and political position. (4) Sun Ch'uo's well-known comment on these two rhapsodies is capable of correct interpretation, which relates to the cultural effect of Confucianism as revealed in them and in other rhapsodies taking “the hunt” as the remonstrant theme. (5) There is an explanation of the Crown Prince Chao-ming's criteria to put “Twin-capitals” and “Two Imperial Metropolises” in such a cardinal place on the one hand, and to exclude other rhapsodies with similar topics from his anthology on the other hand. |