英文摘要 |
The theme of unrequited love in the fourteen P'u-sa man lyrics (tz'u) by Wen Fei-ch'ing had been interpreted by the Ch'ing scholar Chang Hui-yen as an allegory of the frustration of the poet's personal ambition-an interpretation long ridiculed and attacked by later scholars. This paper, however, is in support of Chang's reading. Furthermore, this paper attempts to demonstrate that Chang's interpretation has shed new light on the stanzaic continuities, the sectional cohesiveness, and the dictional resonances of Wen's tz'u. |