臺中市展演空間的空間生產與文化經濟之研究

The Performance Space of Representation of Space and Cultural Economic in Taichung City

文化政策是當代都市治理的重要策略，而展演空間是文化藝術展現的場所。2001年起台中市以「文化、經濟、國際城」做為施政目標，興建與再規劃幾個大型的展演空間。本文以Lefebvre的空間生產理論，探討展演空間再現與再現空間；並且分析衍生的文化經濟現象，來初探目前台中市空間運作之邏輯。本文研究發現台中市展演空間具有幾點特性：1、展演空間的再現大都與戶外空間結合，呈現開放性的生活空間。2、大型文化活動做為都市行銷的空間實踐。3、重新再現的政府與專家構想的空間。4、文化展演空間提升了市民文化參與與居住品味的提升。Enhancing cultural practice is among the most important municipal policies. Performance space allows the demonstration and expression of cultural and artistic presentation. 'Culture, Economics, and International City' has been Taichung City's administrational goal since the year of 2001, and as a response, expansion and construction of large performance space have been done. This research uses the Lefebvre's production of space theory to investigate representation of space and space of representation of the performance space and further discusses the impact on the cultural economy. Based on Taichung City's performance space, this research has made several conclusions: 1. the combination of outdoor space and performance space has displayed a more openly fashioned living space as a whole, 2.large cultural activities are used as a form of advertisement for the city, 3. the space of representation showed by the general public, celebrities, politics, religions and life style 4. the overall elevation of the general public's life quality and cultural participation.