英文摘要 |
The ancient iconography recorded the living civilization of human history that may well present as complementary documents towards the absence of literature by its sheer instance of visual substance. Considering the limited literature of origins of ancient pipa, or Chinese lute, the subject “Kang-Guo Pipa” denominated by author according to its ancient origins of the state of “Kang” in middle Asia (range including current Uzbekistan and Kazakhstan) were once practiced for over centuries in the north west of ancient China, is a specific body type of lute which has a counterpart known as “cittern” in modern times, has several evidences from the ancient musical iconography along the silk road since AD1that still remain unrecognized will be discussed. The Chinese scholar applied terms to this specific type of lute as “mutant pipa” or “transitional pipa” to related its derivation from a native plucked instrument ruan-hsiean (阮咸) pipa, whereas the evidence of Kang-Guo pipa iconography controvert these views. Hornbostel & Sachsmusical instrument classification system will be applied to illustrate the distinct composition of Kang-Guo pipa as well as to look up similar pear-shape plucked lute such as pipa and mandolin to sort out the difference among others. Furthermore, the iconography examination of Kang-Guo pipais the main body of this article will be elaborated according to the chronological order along with the ancient and current states where the iconography evidences came from. |