論唐傳十三弦箏曲的調式問題──以葉棟譯譜為例

關於唐傳十三弦箏曲的調式，葉棟在《唐樂古譜譯讀》一書中，曾以「之、為調式」的觀念，進行論述；而呂冰亦對其中的箏曲，以「同音列三音階」進行校正判定。本論文發覺其分析結果，均與宋代《唐會要》中的記載多所不符，而若採用「一均七調」進行分析，則在沙陀調、越調、大食調等六種調名的分析上都能符合；故此調式問題有重新檢討的必要，而「同音列三音階」的方法，亦有待商榷。

About Tang pass thirteen strings koto music of mode, Ye Dong in “Tang music Ancient Music Scores translation reading”, once “it, for the mode” concept discussed；and Lu Bing also one of koto music, with “homonyms out three scales” corrected judgment. The paper found that the results of their analysis are inconsistent with the Song Dynasty, “Tang Huiyao” in the records and more, and if the use of “yi jun qi tiao” were analyzed at sha tuo tiao, yue tiao, da shi tiao of six tone the name of the analysis can be satisfied；therefore tuning issues need to review, and “homonym out three scale” approach is also open to question.