後檔案時代，家庭檔案與家庭電影

Post-archival Era, Family Archives and Home Movie

20世紀70年代開始檔案研究領域提出後保管的範式變遷，然而仍然難以徹底改變後保管所全力反對的傳統保管思維，因而有必要從後保管時代走向後檔案時代，表現為全民性地面向未來紀錄當下歷史，主動參與社會記憶構建，活動影像或電影在這場範式革命中處於極為重要的地位，而集中的體現則是家庭電影。由於這種檔案轉向，電影以及其他活動影像檔案呈現各種理論與實踐的亂象，本文對此加以分析，並簡要介紹了中國大陸在這些方面的情況。

The terminology 'post-custodial era' put forward by archival research circle in 1970s has not changed thoroughly the traditional custodial inclination in archivist world, and we might replace it with 'post-archival era'. In post-archival era, the people should participate more in archival activities to document their lives for future, especially by home movie. Chaos in theory and practice for film or moving image including home movie archives occurred due to the lack of realization of new paradigm. Family archives and home movie as archives in mainland China has been introduced.