中國南方傳統建築裝飾工藝美學－－以圖文繪畫裝飾為例

The Aesthetics of South China Traditional Architectural Decoration Craft─Take the Drawing Decoration as the Example

傳統建築裝飾工藝的認知相當重要，尤其中國南方傳統建築因地緣之故，對台灣的影響 是深遠，故本文從文化與 史角 探討，提出如下重點：1. 宋代之後，傳統建築工藝發展呈現中國 方（京城）中心與南方中心的雙主導權現象。2. 中國南方建築裝飾工藝的特色，在於福建繪師融合上層文化與民間文化的審美趣味，進而在明清之際重新開創「人物畫與敘事繪畫」的新傳統，並傳播到每一種建築工藝 科。3. 中國南方建築裝飾工藝的主題多為「花鳥畫、故事畫、吉祥畫、象徵性字畫」，從工藝美學的角 ，具有「規則性與規範性」的特定審美趣味。

It is very important to understand that the South China traditional architectural decoration craft for Taiwan. The key point of this article as follows: 1. After Song Dynasty, It presents the double leading power phenomenon of 'capital center' and 'South China center' in the architectural decoration craft development.2. The Fujian draws have important contributions in the fusion aesthetic interest with government and folk cultural. Their also founds and disseminates 'the portrait and the narrative drawing' in the Ming and Qing Dynasties.3. The subjects of South China architectural decoration craft generally are 'flower-and-bird, story, propitious, symbolic calligraphy and painting'. It worth discussing in 'the regularity and the standards' specific aesthetic interest from the craft aesthetic theory construction's angle.