秀拉繪畫藝術VS.彩色複製科技

Seurat's Painting Art VS. Color Reproduction Technology

秀拉是十九世紀末具有其個人特色的畫家，他所創立的新印象主義風格，在西洋藝術史上佔有一席之地；在彩色複製科技技術發展過程中，一直以追求高傳真的彩色複製品為目標，不斷地研發、改進彩色複製技術。秀拉的繪畫藝術與彩色複製技術，一個是感性的藝術創作方法；一個是理性的科技技術，此兩者間卻有許多共通點。本文首先從其生平簡介得知秀拉的基本背景資料，藉藝術思想之研究，明瞭秀拉藝術思想的淵源，以及秀拉繪畫理論和技法的依據，再自風格之研究中，獲悉秀拉之點描繪畫的特色；其次探討彩色複製科技為追求將圖像完美複製過程中，所發展出來的各項理論、技術，藉由基本色彩與分色理論、彩色印刷原理、過網技術探討等的研究，瞭解彩色複製科技技術的發展；最後，比較兩者間之異同，得出結論。

Seurat is one of the most famous painters with a unique painting characteristic at the end of the nine-teenth century. He created Neo-Impressionism, an important painting style in the Western art history. In the process of color reproduction technique developments, we have been pursuing a goal of Hi-Fi color reproduction technology by constant research and design in this field to improve the techniques of color reproduction. Seurat's painting art and color reproduction technology are similar in many ways though the former is empathetic art and the latter is rational science. This study begins with reviewing Seurat's whole life to know his background and then observe his thoughts of art to find out the origin and basis of his painting theory, and then discover his painting style; the other focus is on the theories of color reproduction technology based on basic color and color separation theory, color reproduction theory, halftone screening technology. By going through these theories, we can have an insight of color reproduction technology developments to draw a conclusion by comparing the similarities and differences between Seurat's painting art and color reproduction technology.