英文摘要 |
The poetry in the Tang Dynasty tended to be inseparable from music and many poems in the Tang Dynasty were written in order to sing them as songs. Regarding 'major musical' in the Tang Dynasty, it is the combination of songs, dances, and musical instruments and is a kind of continuous performance of songs and dances in the entire music. 'Dunhuang Tablature' originally contained 25 tunes and could be viewed as a Tang major musical composed of many short tunes. Among the short tunes, 'Slow Tune Yizhou' and 'Yizhou' were the theme extracts of the major musical and were performed with together with music and poems. Their characteristics are as follows. First, the lyrics of 'Yizhou' were created according to the idea of 'selecting lyrics that match with the music.' At that time, when the lyrics were sung, certain refrains tended to be sung repeatedly. Therefore, it was also called 'a parting tune with a thrice repeated refrain.' Second, the circumstance of beat conversion tended to occur in the two songs and the purpose was to adjust the songs based on the change in the emotion and feeling of the poem. Third, the tempo of both the tunes and lyrics of the two songs was free, which made the melody more compact. Fourth, the vowel decided the loudness of the sound. The rhythm of songs was mainly presented by the irregular arrangement of 'bright vowel' and 'dark vowel.' Lastly, as for the method for choosing the rhyme, the selection of rhyming words and tone patterns also brought the original meaning and content of the poetry into full play. It could be inferred that there was a close relationship between poetry and music. |