英文摘要 |
Chinese ancient myths were recorded in The Book of Songs even before the Qin Dynasty. For example, some myths about the beginning of humankind and the origins of clans were written down in Major Odes of the Kingdom.Sheng Min, Sacrificial Odes of Shang.Xuan Niao, and Major Odes of the Kingdom.Wen Wang, to name just a few. These myths were further developed in On Encountering Trouble, Heavenly Questions, Far-off Journey, Nine Songs, and Nine Pieces of The Songs of Chu, among others. These poems enrich the literary canon as well as develop religious thought on Chinese ancient myths. There is an affinity between the investigation of the birth of myths, the origin of literature and the development of human history. Focusing on the origin and development of literature, we can see that myths are not only a very seed of ancient literature itself, but a significant source of ideology and art creation. Although Chinese ancient myths were fragmentary in The Book of Songs, they had developed into complete articles by the time of The Songs of Chu, in which we can begin to see the relationships among “Heaven, Human, and Shen.” We find out about not only the transition and evolution of religion, but also the sacrificial customs of the Ancient Chinese. Beliefs about heaven, humankind, and Shen which are realized in The Book of Songs and The Songs of Chu have had a great impact on Chinese culture and thought through the ages. This thesis uses Sheng Min and Sacrificial Odes of Shang.Xuan Niao of The Book of Songs; and and Heavenly Questions of The Songs of Chu as the major sources in an investigation upon the relationships among “Heaven, Humans, and Shen” in Chinese ancient myths. |