英文摘要 |
This book falls in two parts. The first nine chapters focus largely on Li Qingzhao's struggle for acceptance as a woman writer and the cultural process through which she eventually became canonized in the Chinese tradition. Egan problematizes received notions that have come to dominate the interpretation of her song lyrics and offers, in the second part of the book (chapters 10-11), a fresh reading of these lyrics by treating them as literary creations rather than first-person statements about her personal circumstances. |