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清華學報 Tsing Hua Journal of Chinese Studies |
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200512 (35:2期)期所有篇 |
- 戰國時代「誠」概念的形成與意義:以《孟子、《莊子》、《呂氏春秋》為中心 The Evolutionary Change of the Concept of Cheng 誠 in Mencius, Zhuangzi and Liishi chunqiu, and the Formation of the Idea of 'Non-verbal Rule'
- 明末西方《範疇論》重要語詞的傳入與翻譯:從利瑪竇《天主實義》到《名理探》 The Transmission and Translation of Important Terms of Wes tern Categories in Late Ming: From Ricci's The True Meaning of the Lord to Ming Li Tan
- 上博楚筒《相邦之道》的整體結構 An Interpretation of the Whole Argumentative Structure of 'Xiangbang Zhi Da '相邦之道 (The Way of the Prime Minister) in the Shanghai Museum Bamboo Manuscripts
- 論「文類體裁」的「藝術性向」與「社會性向」及其「雙向成體」的關係 On Literary Form: The Interaction between the 'Aesthetic-oriented,' the 'Social-oriented,' and the 'Aesthetic-social' Balanced Literary Form
- 從禁捕到漁甲:明代江新地區出海捕魚管制措施的變遷 Transformations of Regulations on Marine Fishing near Jiangsu and Zhejiang Provinces during the Ming Dynasty
- 駱以軍的第四人稱單數書寫(2/2):時間製圖學 Yi-chun Ro's Fourth-Person Singular Writing (2/2): A Cartography of Time
- 彝緬語靠中塞尾韻的聲調起源 Tonogenesis in Yipo-Burmic Syllables with Final Stops
- 脫軌的共時音韻現象:歷時觀 A Diachronic Look into Aberrant Synchronic Sound Patterns
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