如何延遲世界末日？－－經《一座島嶼的可能性》窺看《風暴之書》與《西夏旅館》中的後人類視域及重返生命之途 How to Delay the End of the World?: Posthumanist Vision and Re-connection with Life in Cyclonopedia and Hotel Western Xia via The Possibility of an Island.
主體異化與現代性象徵他者的式微：以拉岡理論視野探討楊德昌電影 The Alienation of the Subject and the Decline of the Symbolic Other of Modernity: A Study of Edward Yang’s Films from the Lacanian Perspective.
鹿野忠雄的臺灣高山行旅書寫－－日治時期「自然」的現代知識建構與美學表現 Kano Tadao’s Writing about Traveling in the Mountains of Taiwan: Constructing Modern Knowledge and Expressing Aesthetics of “Nature” during the Japanese Colonial Period
對照記－－從《明室》的攝影現象學看張愛玲對老照相簿的視覺感知與想像 Reading Eileen Chang’s Looking at the Old Photos through the Phenomenology of Roland Barthes in Camera Lucida
作為意向的地方－－論西西〈港島‧我愛〉對《廣島之戀》記憶策略的改寫 Intentionality as the Place: The Rewriting Memory Strategies of Hiroshima Mon Amour in Xi Xi’s “Hong Kong‧My Love”
恍惚、暗黑、倫理學－－一場身體的跨界對談 As If in Darkness: Dialogues on the Body and Ethics across Disciplinary Lines
