「計算為一」與「一分為二」：論洪席耶與巴迪烏關於「空」與政治性主體之歧義 “Count as One” and “One Divides into Two”: Disagreement between Rancière and Badiou on the Concept of the Void
測繪界線∕弦：聘瓊《梅森與迪克森》中異端的「解」歷史能量 Measuring the Boundary/String: The (De-)historical Energy of Heresy in Thomas Pynchon’s Mason & Dixon
城市流浪動物的「生殤相」：以駱以軍、杜韻飛作品為例 Living/Dead Stray Animals in the Urban Environment: Yi-Chun Lo’s and Yun-Fei Tou’s Works as Cases in Point
五十年代香港左翼電影的革命話語：《父慈子孝》、《桃李滿天下》與《虹》 The Revolutionary Discourse of 1950s Left-Wing Hong Kong Films: Loving Father, Faithful Son, A Teacher’s Reward, and Rainbow
《櫻桃園》漫步：導演詮釋、觀眾反思、空間安棲 A Promenade through The Cherry Orchard: Directors’ Interpretations, Spectators’ Reflections, and Spatial Emplacement
