唐璜的雙重面目――莫札特歌劇與霍夫曼小說的比較 The Double-faced Don Juan: A Comparison of Mozart’s Opera and Hoffmann’s Novel
從語言的中介性論高達美的意義理論――兼論本質主義與反本質主義 Gadamer’s Theory of Meaning from the Perspective of Language as Medium: With Essentialism and Anti-Essentialism as a Subordinate Thesis
