德萊葉的「白」──從顏色作為減法影像到至上主義繪畫之異度空間 Dreyer's ＂Whiteness＂ and another Dimension: From Color as Subtraction of Images to Supremacist Paintings
分析王家衛的《花樣年華》從第275個鏡頭到第298個鏡頭：上下樓梯的女人、走廊與迷宮、電影與它的皺褶 Analyzing Shot 275 to Shot 298 in Wong Kar-wai's ＂In the Mood for Love＂: The Ascending and Descending Woman, Corridor and Labyrinth, and Cinema and Its Folds
讓子彈飛：論高重黎幻燈簡報電影《人肉的滋味》之影像藝術實踐 Let the Bullets Fly: The Artistic Practice of Kao Chung Li's Slideshow Cinema ＂The Taste of Human Flesh＂
