邁向暗房：福克納《押沙龍，押沙龍！》與攝影媒介性 Toward the Dark House: Photographic Mediality in William Faulkner’s Absalom, Absalom!
奴隸制的前世今生：布蘭德《月亮盈缺之時》中的死亡政治、離散創傷與種族殘缺敘事 Slavery and Its Afterlives: Necropolitics, Diasporic Trauma, and the Narrative of Racialized Maiming in Dionne Brand’sAt the Full and Change of the Moon
