英文摘要 |
Emily Brontё’s novel Wuthering Heights (1847) is saturated with multiple descriptions of the natural environment. Readers of this novel tend to rely on sight to tease out the meanings of Brontё’s engagement with the natural world. This essay argues that if we examine the sounds of dogs, birds and the wind in this novel, we can gain more insight into Brontё’s environmental awareness. While Wuthering Heights was published in a time when the issue of animal welfare in England invited increasingly sentimental responses of the general public to an abused animal, a yelping dog in this novel shows how the territorial instinct of mankind undermines such sentimentality. Brontё’s refusal to idealize inter-species relationships finds its way into her representation of the sound of birds in this novel. Instead of treating this sound as delightful music, Brontё emphasizes how this sound relates to the need of birds to mark their own territories and how such a need clashes with that of mankind. Through the sound of the wind, Brontё challenges an anthropocentric assumption that demarcating a human territory impervious to the elements is both possible and desirable. Brontё names the two major buildings of her novel after the sound of nature because she wants to delineate a close relationship between the human world and the natural environment, one that is characterized by territorial conflicts. |