由街頭走向國際：臺灣文學刊物《陽光小集》中「菲華詩展」的意義與價值

On the Significance and Value of the “Philippine Sinophone Poetry Exhibition” in the Taiwan Literature Journal “Sunshine Collection”

自1982年起，「陽光小集」與菲律賓「耕園文藝社」結盟，為國內首度與海外文藝社團締結聯盟的詩社；而《陽光小集》詩刊共計發行十三期，竟有連續六期「菲華詩展｣，如此高規格的跨國合作，在臺灣解嚴前的現代詩刊，可謂絕無僅有。臺灣文學中的華語語系文學曾與菲華文學關係密切，若以此為線索，也是另一條與世界共振的發展機緣。進一步整理《陽光小集》「菲華詩展｣的作品，發現其中已有部分詩作，呈顯有別於臺灣文學題材的菲律賓在地經驗，展現菲律賓在地特色的主題、用語，具有「回歸現實」傾向，與臺灣文學思潮合轍。本文之探究，亦是將臺灣文學思潮放入國際華語語系加以考察，思考其在地與國際雙向視野與實踐的經典範例。

 

The ""Sunshine Collection"" Poetry Society, which publishes ""Sunshine Collection,"" was once positioned as a street movement for modern poetry, or could symbolically be called a street movement for Taiwanese literature. Since 1982, ""Sunshine Collection"" has been allied with the Philippine ""Cultivation Garden, ""the first poetry society in Taiwan to officially ally with overseas literary societies. The Sunshine Collection has published 13 issues in total, and there are six consecutive ""Philippine Sinophone Poetry Exhibitions,"" which were unique in Taiwan’s modern poetry magazines before the lifting of martial law.The Sinophone literature in Taiwanese literature once had a close relationship with Philippine Sinophone literature, and it is another clue for development that resonates with the world. Further organizing the works of the Sunshine Collection and the Philippine Sinophone Poetry Exhibition, we can find that some of these poems tend to ""return to reality"" in line with Taiwan’s literary trend and show the themes and terms of the Philippines’ local characteristics, which are different from the mainstream subjects of Taiwanese literature at that time. This paper explores Taiwanese literature in the international Sinophone literature and considers its two-way perspective and practice a classic example.