| 英文摘要 |
This article reflects on a fifteen-year interdisciplinary practice bridging physics, architecture, and tech no-art. Drawing on a background in theoretical physics, it examines how scientific modeling and artistic creation intersect through technology as both material and conceptual medium. While science seeks order, clarity, and predictability, artistic practice embraces uncertainty, contingency, and affective experience-forming what is described here as ''beauty in chaos.'' Through selected works ranging from interactive light installations and kinetic systems to recent projects addressing the Anthropocene, anthropogenic earthquakes, and quantum aesthetics, the article explores how technological systems can be transformed into embodied, perceptual experiences within architectural and public spaces. Rather than aiming at scientific explanation alone, these works translate abstract models and natural laws into sensory encounters that invite emotional resonance and critical reflection. The article ultimately proposes techno-art as a speculative medium through which chaos, instability, and unpredictability become generative sources of aesthetic meaning and cultural insight. |