| 英文摘要 |
In the film The Red Lotus Society, the Grandmaster discovers that the Red Lotus cannot be physically acquired. Only by grasping the realization that ''when you become it, it is you,'' and transforming it into an internal spirit-like salt dissolving in water-can one truly possess it. Drawing on the allegory of the ''Red Lotus'' as its core metaphor, this article delves into field experiences in architecture and Virtual Reality (VR). In spatial design, a truly moving experience arises not from replicable ''objects'' or forms, but from a ''state'' that emerges once a person enters the field. VR technology should be regarded not merely as a tool for realistic simulation, but as a perceptual system that intentionally rewrites the relationship between the body and space. Through real-time computation, visual isolation, and the uncertainty of scale, VR eliminates the habitual shortcuts used to interpret space, compelling the viewer to slow down and re-verify their presence through ''staying'' and ''waiting.'' This practice, grounded in design research, suggests that VR creation must shift from the ''viewing of objects'' to the ''perception of states.'' Much like the Red Lotus that cannot be taken away, virtual space-despite lacking physical boundaries-synchronizes with the viewer in the moment of experience, leaving an inseparable and profound imprint on perception. |