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篇名
金塗之臺語笑科劇作品探析
並列篇名
A Study on Jin Tu’s Taiwanese Comedy Dramas
中文摘要
1956-1970年代是臺語電影流行的高峰期,全盛時期每星期產出2.5部作品,年產近120部。許多知名的喜劇臺語電影演員,也是受歡迎的廣播名人,同時錄製黑膠笑科劇唱片。關於臺語電影的研究已有相當的成果,但因於保存限制,目前復刻可見的作品不及總數五分之一(約200部);廣播電臺的內容能保存下來的作品更是鳳毛麟角。相較之下,黑膠唱片的笑科劇目前可見完整者約有300種,多是當時諸多臺語電影或廣播電臺喜劇演員,同一時期錄製的作品,保存最原始的聲音或書面(封面、封底、唱片圓標),是觀察當時喜劇演出全貌的重要材料。筆者從收藏之260餘張笑科劇唱片中,整理50餘種金塗灌錄之笑科劇作品。本文從金塗的作品中歸納、分析,企圖更進一步拼湊金塗演藝事業的全貌。
本文從14種金塗主演的笑科劇作品分析其特色。研究結果發現金塗的笑科劇作品具有四項特色:1.唱詞多用傳統歌調、七字仔、四句聯等形式;2.內容大量摻雜日語;3.胖玲玲為主要搭檔夥伴;及4.受李讚聲、歐雲龍及矮仔財等人演出風格影響。在與其他男演員共演的作品中,金塗多擔任第二男角,也都能搭配主要男角的風格,使作品豐富多元。在金塗主演的作品中,金塗擅長演出傳統說唱七字仔四句聯編寫的內容,也因為受日本教育的背景,流利的日語與臺語摻雜的內容,成為他個人笑科劇演出的主要特色。
英文摘要
1956~1970 was the peak period of popularity of Taiwanese movies. During its heyday, 2.5 works were produced every week, and nearly 120 works were produced annually. Many well-known Taiwanese comedy film actors are also popular radio personalities and record comedy LPs. There have been considerable achievements in the research on Taiwanese films, but due to preservation limitations, less than one-fifth of the total number of works (about 200) can be reproduced and seen at present; the content of radio stations that can be preserved is even rarer. In comparison, there are currently about 300 complete comedy records available on vinyl, most of which were recorded in the same period by comedians in Taiwanese films or radio stations at the time. They preserve the most original sounds or written records (cover, back cover, record label), and are important materials for observing the overall picture of comedy performances at the time. The author has compiled more than 50 gold-coated comedy works from a collection of more than 260 comedy records.
This article analyzes the characteristics of 14 comedy works starring Jin Tu. The research results show that Jin Tu's comedy works have four characteristics: 1. The lyrics mostly use traditional tunes, seven-character songs, four-line couplets, etc.; 2. The content is heavily interspersed with Japanese; 3. Pang Lingling is the main partner; and 4. The performance styles are influenced by Li Zansheng, Ou Yunlong, and Aizaicai. In works where he co-stars with other male actors, Kim Tu-do plays the second male role and is able to match the style of the main male role, making the work rich and diverse. In the works starring Jin Tu, Jin Tu is good at performing the content of the traditional rap seven-character four-line couplet. Because of his background of education in Japan, his fluent Japanese and Taiwanese mixed content has become another major feature of his personal comedy performances.
起訖頁 71-96
關鍵詞 金塗臺語笑科劇臺語電影胖玲玲Jin TuTaiwanese ComedyTaiwanese MoviesFat Ling Ling
刊名 止善  
期數 202512 (39期)
出版單位 朝陽科技大學通識教育中心
該期刊-上一篇 從「隨宦」到「造命」海外:清代至民初江浙閨秀跨域能動性研究
該期刊-下一篇 從啟蒙的辯證到批判理論:霍克海默思想的政治哲學探析
 

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