| 英文摘要 |
Shi-Ji (the Book of Historical Records) continues the Warring States tradition of citing Shi-Jing (the Book of Odes), with a total of 33 references. Previous research has yet to fully explore this phenomenon. This study employs textual analysis, treating citation types and purposes as the main framework, and thought, meaning, method, version, and function as analytical dimensions, to comprehensively examine Shi-Ji’s reception and transmission of Shi-Jing. The study sheds light on understandings of Shi- Jing in the pre-Qin and early Western Han periods (prior to Emperor Wu of Han), the conceptualization of Shi-Jing studies, and the evolution of its citation practices across these periods. Citations in the Shi-Ji can be categorized into five types: (1) the orders from the Emperors, (2) the proposals submitted by the ministers, (3) the discussions among the political administrators, or self-narratives (4) the meeting minutes of Confucius and his disciples (5) and commentaries by historians. They reflect the use of Shi-Jing to convey political, diplomatic, and ethical arguments. Over 60% occur in exchanges between rulers and ministers or among ministers themselves, with nearly half from the reign of Emperor Wu, indicating the prevalence of Shi-Jing-based discourse during his reign. Chapters addressing ritual, governance, and moral instruction exhibit higher citation frequency, particularly Ya and Song, which contain more political and ethical content than Feng. The Lu Shi version is predominantly used, with selective references to Mao Shi, suggesting that the author was a Lu Shi scholar closely aligned with the Old Script school. Regarding citation methods and functions, only five instances involve taking excerpts out of context, with emphasis shifted for policy argumentation or requests; the remainder quote directly to support statements. Citations serve multiple purposes, including self-exhortation, admiration, exemplification, admonition, political debate, self-representation, and prophecy, thereby enhancing both the literary expression and argumentative force of the historical narrative. |