心理劇抗拒現象歷程研究

A Process Study of Phenomenon of Resistance in Psychodrama

本研究旨在了解，心理劇主角抗拒的現象，如何在主角與導演的互動過程中受到改變和影響的歷程。研究者蒐集三齣主角出現抗拒反應的心理劇資料，謄寫成逐字稿，進行後續分析。本研究取徑詮釋現象學的研究精神，並採用李維綸（2004，2007）提出的「置身所在」概念，以「交談分析」的方法進行分析。本研究結果有二，首先是「心理劇主角抗拒現象」的辨識和定義，歸納出十一種抗拒類別。第二，本研究辨識出主角「抗拒揭露」、「抗拒演出行動」、「抗拒角色對話」現象的處遇歷程。最後，研究者回顧過往文獻，與研究結果參照，進行綜合討論，並提出對往後心理劇實務和抗拒相關研究的具體建議。

The purpose of the study was to understand the process of the interaction between the director and the protagonist in the process of resistance. The researchers collected three records of psychodrama with phenomenon of resistance, and turned the dialogue into a verbatim script, which is the text to be analyzed. This research uses interpretive phenomenology as research orientation, using the concept of ''situatedness'' of Li （2004, 2007）, and using conversation analysis step to analyze the data.This study show eleven kinds of phenomena of resistances, which are the basic of resistance divination. The results of the study revealed that how the director treat protagonist’s resistance, when they “resist to expose”, “resist to action” and “resist to role dialogue.”The findings of this study can help the director to better face the protagonist's resistance and serve as a guide for further research.