江戶時期（1603-1868）明清詞籍的東傳與接受──以《詞學全書》為中心

The Introduction and Reception of Ming and Qing Ci Poetry in the Edo Period (1603-1868): A Study on Cixue Quanshu (Complete Collection of Studies on Ci Poetry)

本文以清初詞學典籍《詞學全書》於江戶時期在日本的傳播與接受為線索，考察日本江戶時期詞學接受的一面。首先簡述江戶時期漢籍輸入的背景以及明清詞籍的傳入類型。《詞學全書》為其中傳來紀錄最多，且影響江戶文人最深的詞籍。其次，以現存的唐船持渡書紀錄與相關文獻為基礎，釐清《詞學全書》版本與相關書籍紀錄。接著著眼於江戶中後期文人如三浦梅園等人對《詞學全書》的閱讀與引用狀況，以及《詞學全書》在昌平坂學問所內部的閱讀至成為儒者漢學基礎素養的變化，觀察詞體在江戶中後期逐步為文人認識與接受的過程。希冀通過梳理《詞學全書》此一兼具詞學知識全集與填詞指引的書籍在江戶詞學的接受概況，觀察江戶詞學發展的一個側面，以為明治、大正以降日本詞壇蓬勃發展的前緣線索。

The present article discusses the dissemination and reception of the early Qing dynasty literary work Cixue quanshu詞學全書(Complete Collection of Studies on Ci Poetry ) during the Edo period in Japan, exploring its influence on the Japanese ci詞poetry scene. It begins by summarizing the background of the importation of Chinese books at that time, particularly Ming and Qing ci works, with Cixue quanshu, as the most influential, being highlighted. It then analyzes existing materials on said imported Chinese books, explaining the circumstances surrounding the importation of Cixue quanshu as well as its evaluations and recognition by scholars such as Miura Baien三浦梅園(1723- 1789). Furthermore, by observing the reading of Cixue quanshu within the official academy Shōhei-zaka Gakumonjo昌平坂學問所and its transformation into a foundational aspect of Han studies, it expounds the gradual acceptance of ci forms among literati. An examination of the reception of Cixue quanshu, a comprehensive guide to ci poetry knowledge and composition, thus enables us to apprehend one aspect of the development of ci poetry studies in the Edo period, serving as a precursor to understanding the flourishing of the Japanese ci poetry scene from the Meiji and Taishōperiods onward.