| 英文摘要 |
This essay examines the contrasting narrative strategies in Margaret Cavendish's The Blazing World (1666) and Johannes Kepler's Somnium (1634), highlighting how both authors blend scientific discourse with literary elements. Cavendish employs fictional characters and dialogues to integrate scientific ideas into her literary narrative, creating a multifaceted and dynamic exchange of perspectives. In contrast, Kepler utilizes a monologic structure with clear-cut framed narratives, presenting his core scientific discourse in a more rigid and separate manner from the fictional framework. By analyzing Cavendish’s use of fictional characters and dialogues to convey scientific ideas and contrasting it with Kepler’s reliance on monologic discourse and framed narratives, the essay explores how the authors’professional backgrounds, personal interests, and the compositional history of the works influence their narrative choices and shape the readers’perceptions. The study employs a Venn diagram model to illustrate the varying degrees of overlap between science and literature in these texts, emphasizing Cavendish’s predominantly literary approach and Kepler’s primarily scientific focus. By exploring the interplay between scientific discourse and literary imagination, the essay aims to deepen our understanding of the intricate relationship between science and literature during the early modern period. |