邁向平權之路：臺灣身心障礙文化平權政策與博物館實踐文化近用現況

《身心障礙者權利公約》（Convention on the Rights of Persons with Disabilities）在2008年正式生效，臺灣依CRPD精神推動相關政策。另一方面，國際博物館協會（ICOM）2022年提出的博物館新定義，強調博物館的近用與包容性。換句話說，身心障礙者的文化參與權是個人權利，博物館如何擔起社會教育機構的社會責任，讓身心障礙者能在參觀博物館時獲得良好的體驗是近年博物館的新興議題。本文以政策地圖（policy mapping）之方式，透過法規政策、預算與決算以及博物館網站之索引，描繪臺灣在2020年至2023年間身心障礙文化平權於政策及實踐之樣貌。研究發現，臺灣透過建制落實文化平權，但由於服務對象多元，投注於身心障礙族群的資源有限。在博物館的實踐方面，因法規規範皆改善空間的無障礙，近年亦有針對身心障礙者的教育推廣服務，主要對象是團體觀眾。自行參觀的觀眾，在現有館所網站設計架構與資訊呈現方式，要理解近用服務尚有難度。本文依據研究發現，提出身心障礙者文化平權的相關建議。

Since the ratification of the Convention on the Rights of Persons with Disabilities (CRPD) in 2008, Taiwan has been actively promoting policies aligned with its principles. Concurrently, the International Council of Museums introduced a new definition of museums in 2022, emphasizing the concept of inclusion and accessibility. Consequently, this has emerged as an issue for museums, reflecting their societal responsibility to ensure enjoyable experiences for all visitors. This paper compares the development of cultural equity and accessibility policies in museums in the United Kingdom, the United States, and Taiwan. Using policy mapping to outline Taiwan's cultural equity policies and practices from 2020 to 2023. The research reveals that while Taiwan has been actively promoting cultural equity through institutions, there remains a tendency to overlook the needs of the disability community. Although there have been efforts to provide educational programs for persons with disabilities. However, most of the programs are for group audiences. That is, there is still room for improvement in enhancing self-guided visitors’visiting experience, particularly the design of museums’websites to help the visitors understand and access the services that meet their needs.