鏡中的幽魂——論陳雪亂倫創傷書寫的轉變·

The Ghost in the Mirror: The Changing Narratives of the Trauma of the Insect in Chen Syue’s Novels

本文以1999年的《惡魔的女兒》與2009年的《附魔者》為討論對象，分析陳雪亂倫創傷主題的轉變。本文提出《惡魔的女兒》體現女性面對創傷經驗時，擺盪在邪惡與罪惡之間的複雜情緒，最終通過書寫整合支離破碎的自我認同。《附魔者》則立基於《惡魔的女兒》，更進一步發揮解構父權體制的精神，把亂倫創傷經驗轉換成鬆動既有秩序的手段，直指男性面對黑暗大陸的矛盾心理。本文以上述兩部小說為對象，觀察作家歷經十年書寫亂倫創傷的觀念變化，顯示書寫創傷的重點從主體的修復，轉變成抵抗體制的手段。

This study aims to discuss ''The Devil's Daughter'' and ''The Demonic Possession'' to analyze the changing concepts in Chen Syue's traumatic incest narrative. It attempts to claim that ''The Devil's Daughter'' reflects women's complex emotions between cruel and guilty when facing traumatic experiences, and will ultimately integrates the fragmented self-identities through writing. ''The Demonic Possession'' is based on ''The Devil's Daughter'', further deconstructing the patriarchy, converting the trauma of incest into a means of loosening the existing order, and directly pointing to the ambivalence of men facing the dark continent. This study takes the above two novels as objects to observe the changes in the writer's concept of writing about incest trauma over ten years, showing that the focus of writing about trauma has changed from the repair of the subject to a means of resisting the system.