| 英文摘要 |
As a key figure of the bold Ci poetry style in the Southern Song Dynasty, Xin Qiji has long been a focal point in the field of classical literature research. However, due to the significant disparity in the number of his surviving poems and Ci, most scholars have focused on the study of his Ci, with relatively less attention paid to his poetry. In recent years, as studies on Xin Qiji have deepened, there has been an increasing interest in his essays and poetry. Research into Xin Qiji’s poetry has primarily involved examining its artistic style, the origins of its composition, and comparing it with his Ci. In the comparative study of Xin Qiji’s poetry and Ci, the assumption that ''his poetry is inferior to his Ci'' has long been a default premise in the research. In recent years, some scholars have attempted to explain the reasons behind this notion, but their explanations often cite ancient critiques rather than examining the texts of Xin Qiji’s poetry and Ci themselves. This article analyzes and compares the preferences for selecting similar themes in Jiaxuan's poetry, as well as the emotional differences between works of the same and different genres, it is found that although Jia Xuan agrees with the concept of ''poetry as the standard form'', due to the two large-scale anti poetry movements of the court, Jia Xuan's identity as a reformed person, and the reasons for his repeated impeachment, he had to choose to replace poetry with words and avoid slander. Due to these reasons, the number of poems written by Jia Xuan is far less than that of ci, which has greatly expanded the functionality and improved the art of ci under Jia Xuan's pen. |