冷熱之間：秀陶詩藝變遷的軌跡探尋

本文旨在探究秀陶詩風的轉變。在1960年代，秀陶以〈白色的衝刺〉一詩聲名大噪，被商禽譽為開創散文詩「驚心」論的先驅，同時，劉大任更形容秀陶是「六十年代的憤怒青年」。然而，因生計壓力，秀陶在1965年停筆長達約20年。復出詩壇後，秀陶的詩風有了明顯轉變，不再流露早期的憤怒和苦悶，而是刻意追求平淡的風格。目前學界多以秀陶後期的散文詩作為研究對象，本文通過梳理歷史資料發現，秀陶早期的分行詩在藝術成就上並不遜色於後期的散文詩，並且從前後期詩作的比對中看出秀陶思考的細微轉變。通過詩作的對讀以及同時代（1960年代）作家對秀陶的評述，本文試圖追索秀陶創作轉變的軌跡，在文本的討論上包含分行詩與散文詩，從其中探討秀陶詩學與生命的轉折點。

This paper aims to explore the transformation of Xiu Tao’s poetic style. In the 1960s, Xiu Tao gained fame with his poem“White Dash,”hailed by Shang Qin as a pioneer of the“shocking”theory in prose poetry. Liu Da-ren even described Xiu Tao as an“angry youth of the 1960s.”However, Xiu Tao stopped writing for about 20 years, starting in 1965. Upon returning to the literary scene, Xiu Tao’s poetic style underwent a significant change, no longer expressing the anger and melancholy of his early works but deliberately pursuing a plain style. Despite scholars mainly focusing on his later prose poems, this paper, through examining historical materials, first argues that Xiu Tao’s early lineated poems are not inferior in artistic achievement to his later prose poems and then further compares related historical materials to reveal various shifts in Xiu Tao’s poetic thoughts. Through a comparative analysis of his poems, this paper seeks to trace the trajectory of Xiu Tao’s creative transformation and explore the turning points in his poetic and life journey.