英文摘要 |
In January 1965, Theatre Quarterly raised the banner of ''pure drama'', founded and led by Kang Chien Chiu who had studied drama in the United States. Subsequently, Hong Kong cultural titans Law Kar and Kam Ping Hing were invited to join the editorial team, ushering in a new era of cultural exchange between Taiwan and Hong Kong in the realm of theater. Similarly, in January 1967, Literature launched its ''pure literature'' initiative, with veteran writer Lin Hai Yin as the chief editor. In April of the same year, a cultural personality from Xiangjiang, Wang Jing Xi adapted the original version and introduced the Hong Kong edition of Literature, marking a new chapter in literary exchange between Taiwan and Hong Kong. Although both publications have since receded from prominence, their respective fields, author groups, editorial compositions, and special projects have expanded the space for cultural exchange between Taiwan and Hong Kong. While there have been numerous studies on these two publications, their differences deserve further exploration. This paper aims to analyze the nature of Theatre Quarterly and Literature, examining how they contributed to the two facets of cultural exchange between Taiwan and Hong Kong through creation and practice in the 1960s, thus affirming their historical significance and response to the era. |