韻文學之評論

Comments on Rhyming Literature

韻文學評論鑑賞之態度與方法，本文認為先要從單一首之詩詞曲入手，其前提則要有先行必備的修為，那就是對作者作品的背景掌握。由其詩題和小序所提供的資訊切入；以此為基礎，方能清楚解析其章法脈絡。而其間更不可疏忽於詩句中同時兼具之音節形式單雙式之不可移易、句中意義形式之文法語言運用之技巧，以及由對偶而對聯之精緻巧妙。進而由詩詞曲之比較中，見其同如「同胞兄弟」，異亦自具風格，然後才有扎實的基礎作韻文學正確的評論和鑑賞。倘能以此「智性」，更為「感性」的予以「觸發」聯想，則更能發掘其「潛德幽光」，從而提昇並豐富韻文學超越時空的生命力。也因此，評論鑑賞韻文學，仍應智性、感性並用，智性先導、感性續發，才是其「不二」法門。

Regarding the methods of and attitudes towards the appreciation of rhyming literature, this article suggests starting from a single piece of poetry, ci, or qü. A prerequisite is the understanding of the historical and social background of the author and the literary work. The background information could be obtained from the poem's title and prologue, which is the basis for a clear analysis of the poem's structure and context. In the meantime, a reader should not overlook the immovable features of the single and double syllables in a poem, the grammatical and linguistic skills of the meaningful forms in the stanzas, and the subtlety of the couplet from the duality. Only then will we have a solid foundation for proper comments and appreciation of rhyming literature, seeing from the comparison of poetry, ci, and qüthat they are the same as ''siblings'' and that they are different in their own styles. If we can use this ''intellect'' and ''sensibility'' to ''trigger'' associations, then we can better explore the ''potential virtues and hidden glory'' of rhyming literature, thus enhancing and enriching the vitality of rhyming literature beyond time and space. For this reason, the one and only method of rhyme appreciation is to have both intellect and sensibility, with intellect taking precedence and sensibility continuing to develop.