論晚明蕭士瑋春浮園書寫之景觀敘述與情志寄寓

On the Landscape Description and Emotion-Intention Connotation in Xiao Shiwei's Writings of Spring Floating Garden in the Late Ming Dynasty

中晚明以降，文人園林及相關書寫達至巔峰，成為前人研究的關注焦點。不過，當中多半集中於園林文化及書寫最為興盛的江南地域，至於其他地域與江南風氣的交流對話，尚有考索空間。本文以晚明江西名士蕭士瑋及其春浮園書寫為研究中心，特別聚焦於當時流傳甚廣的〈春浮園記〉，析論其景觀敘述與情志寄寓，以見他如何充分再現不落俗套的奇巧園景，如何曲折寄寓其園居生活的閒趣與嗟嘆，從中反映閒隱追求、居士修持、黨爭危機等晚明社會文化的特殊面向。據此，本文不僅呈現一名深受江南文化影響又獨具個性的江西個案，也透過詮解〈春浮園記〉等詩文書寫之深刻意蘊與藝術成就，提供其人其園之所以得到廣泛流傳的理解基礎。

During the middle to late Ming Dynasty and subsequent periods, literati gardens and related writings reached their pinnacle, becoming a focal point of academic attention. However, most of the previous researches focused on Jiangnan region, where the literati garden culture and writings were the most flourishing. The exploration of interactions and dialogues between the prevailing culture of Jiangnan and the other regions still presents an area for further investigation. This study centers on the writings on the Spring Floating Garden of Xiao Shiwei, a notable figure in Jiangxi in late Ming Dynasty. It particularly focuses on the widely circulated ''the Records of Spring Floating Garden'' of that time, analyzing its landscape description and emotion-intention connotations. The discussion aims to illustrate how Xiao creatively portrayed unconventional and exquisite garden scenes and how he intricately expressed the leisurely pleasures and contemplations of his garden life. Through this exploration, the study reflects the distinctive aspects of late Ming social and cultural phenomena, including the pursuit of leisure and seclusion, the religious practice of lay Buddhists, and the combat between political factions. Consequently, this paper not only presents a case study deeply influenced by Jiangnan culture but also provides an understanding of the widespread appreciation for Xiao Shiwei and his garden by interpreting the profound meanings and artistic achievements in his poetic and prose writings, such as ''the Record of Spring Floating Garden.''