二千年的遐想詩學：莎弗詩歌與陳育虹《索隱》的性別互文

A Two-Thousand-Year Poetics of Reverie: The Gender Intertextuality of Sappho’s Lyrics and Yuhong Chen’s Suo Yin

本篇論文旨在以比較詩學的方式，輔以法國哲學家巴修拉的遐想詩學理論，探討希臘詩人莎弗與台灣詩人陳育虹的詩歌互文關係。陳育虹《索隱》詩集以「月亮」隱喻為主題，並透過人稱代名詞「你」與莎弗「雌雄同體」短歌對談。這種對話呼應巴修拉基於榮格陰陽同體理論，所發展出「阿尼瑪」包容「阿尼姆斯」的雙性詩學。莎弗透過戲謔性的模仿詩歌與荷馬史詩拮抗，逆轉愛情女神阿芙蘿黛蒂的命運，並強調雙重化身的四級對話；陳育虹則融入東方的月宮嫦娥神話於《索隱》中，詩中探索欲望、生死和懷舊的主題，獻給二千年前遙遠的詩歌母親莎弗。本文遵循巴修拉式遐想詩學的懷舊路徑，含括莎弗的歌與陳育虹的詩，形構互文的遐想，以此搓揉中國「月宮嫦娥」與希臘神話「愛情女神」的魔幻神燈，燻開上升詩魂與下沉肉身的雌雄辯證。這不僅是詩人間的對話，也是回歸蒼穹的情詩／歌。

This article uses the poetics of reverie theorized by French philosopher Gaston Bachelard to analyze and compare the lyrics and poetry of Sappho and Yuhong Chen. In Chen’s Suo Yin, the moon metaphor is prominently utilized to initiate a dialogue with Sappho and delve into the androgynous mindset. Chen’s Suo Yin vividly captures the collective unconscious archetypes of the anima/animus, evoking a sense of nostalgic heritage through a series of interconnected poems inspired by and devoted to the ancient Greek poetess. Within Sappho’s unconscious mind, it exists a dual awareness that not only revitalizes the lyric tradition but also engages with Homer through playful verses. Sappho’s lyrics subvert the destiny of Aphrodite and plumb the depths of female characters. In her identity as a female writer, Sappho writes to lovers, rivals, and mothers in a quest to affirm a feminine perspective within a predominantly masculine society. The essence of anima/animus writing gracefully emanates from Sappho’s androgynous mind to revoke the voice of female lineage in Chen’s Suo Yin. These two female writers draw inspirations from the reveries that arise from their androgynous unconsciousness so as to nurture their literary expressions.