霹靂布袋戲人物角色解構之色彩計畫研究——以首席男主角素還真為例

Deconstructing the Characters in Pili Glove Puppetry: A Study of the Color Plan with Su Huan-Jen, the Leading Role, as Example

霹靂布袋戲中角色人物的武打戲之外，更要靠操偶師的精湛演繹，同時也離不開特效團隊的努力，無論是劇中人物的發招，或者是重要人物的出場都少不了聲光以及電腦製作的特效。霹靂系列中的主要角色設計如素還真、葉小釵、一頁書、海殤君…等，一代一代吸引了為數可觀的觀眾，其中以首席男主角素還真為最具代表性的角色為布袋戲締造霹靂發光的新圖騰。
色彩在影視部分是最重要核心元素之一，霹靂布袋戲近年來朝向網路及電影大螢幕發展，故色彩計畫尤其重要，可為觀眾創造多采多姿的科技夢幻情境。
本文研究首先以相關文獻探討素還真人物角色解構與色彩計畫相關的分類法，並以素還真最經典三款角色為研究樣本，較客觀的研判方式分析素還真角色人物及色彩計畫的表現性作為探討及關聯性。研究成果期能做為台灣布袋戲產業發展為重要參考文獻。

In addition to the combat scenes of Pili Glove Puppetry, it requires the puppet masters’superb interpretation, as well as the efforts of the special effect team. whether it is the launching of fighting stances of the characters or the appearance of the important figures onstage, it requires special lighting and sounds, as well as computer generated effects. In the Pili Glove Puppet series, through the design of the leading roles, such as Su Huan-Jen, Ye Xiao-Chai, Yi Ye-Shu, Hai Xiang-Jun, etc., each generation attracts a massive audience. Especially, the male leading role Su Huan-Jen is the representative of the roles, constituting a new totem for the glamorous Pili Gove Puppetry.
In film and television, color is one of the important and core elements. In recent years, Pili Glove Puppetry has released shows via the internet and at the cinema; therefore, the color plan is exceptionally important in creating an exciting, hi-tech and fantastic environment for the audience.
This essay begins with the literature review of the deconstruction of the character Su Huan-Jen and the categorization method of the color plans, with three different classic roles of Su Huan-Jen as research samples to analyze the character Su Huan-Jen, and the exploration of the expressive conduct and associations of the color plan with objective judgements. The findings are expected to serve as important references for the development of the glove puppetry industry in Taiwan.