論康原台語題畫詩的「創造性」書寫——以《日本名畫家筆下的台灣風情：不破章水彩畫集》為例

On the ''creative'' writing Kang-Yuan Taiwanese poem in painting–using the example of the ''Japanese painters of Taiwanese stylet''

康原（Kang-Yuan）是台灣具有代表性的台灣文學作家，他所擅長的文類甚多，也多為文壇所肯定。但康原並不以此為滿足，依然致力於各種領域與文學的探觸，2005年他「跨藝術」的為日本已故水彩畫家不破章（ふわ-あきら）所出版的畫集題詩，更是一項獨特的嘗試。不破章的五十幅水彩畫是他自1969年至1978年間八度來台灣的寫生作品集，這些畫作所呈現的都是當時台灣全島的山川、田舍以及人文景象。康原再從中擷取台灣的人文與歷史元素，構成最貼切的解讀與互補。並揣摩畫中的景物，再以個人的解讀方式提出「創造性」的書寫，拓展畫境的故事延伸性與鄉土人文的關聯性。本文擬就康原所題的五十首台語詩為對象，深入了解其「創造性」書寫所展現的藝術手法與人文關懷。

Kang-Yuan is Taiwan's representative Taiwanese literature writer , in 2005, he ''cross- Arts '' in Japan late watercolorist Fu Wa - Aki Ra (不破章) published the album poem. Chapter 50 sites his watercolors from 1969 to 1978 between 8 to Taiwan's painting Collections, these paintings are presented at the time of Taiwan island mountains, lands and humanities scene. Kang-Yuan and then capture the humanities and historical elements from Taiwan, constitute the most appropriate interpretation and complementary. And try to figure out painting the scene , and then made a personal interpretation of the way '' creative '' writing.