從佛洛伊德學說看張愛玲小說中的自戀

To observe the idea of narcissism from the novel of Elieen Chang through the theory of Sigmund Freud

自戀是張愛玲小說人物普遍的心理質素，其中最鮮明者當屬〈紅玫瑰與白玫瑰〉的佟振保，其妄自尊大、視一切為身外物、生理疾病、被視妄想、暴力等癥候，在在是佛洛伊德論述自戀的重點；而鏡與窗，是張愛玲描繪自戀的修辭策略，並置虛像與實像，藉由虛像的異化與啟示，可直指水仙人物自我分裂的精神特徵。佛洛伊德的自戀學說與張愛玲的小說人物之間，具有高度和諧的趣味。

In fact, narcissism is considered to be of the popular psychological essence of figures in Eileen Chang's novel, among them, Dong Cheng Bao (Red Rose and White Rose) is believed to be the most vivid and prominent one. Dong is characterized as being so arrogant and he reckons himself as so overbearing than anything else, while he is believed to have such organic disease with syndromes of wishing thinking and violence. All of them are taken as items of focus elaborated by Freud about narcissism. Besides, mirror and window are the rhetoric strategy used by Eileen Chang to describe narcissism to co-install virtual image and reality. Through the alienation and initiation of virtual image, it has, in direct term, pointed out the psychological features of schizophrenia of narcissus figure. As such, we can find highly tuneful joy and fun between narcissism theory of Sigmund Freud and novel figure of Eileen Chang.