典律（CANON）的製造與傾斜——論台灣詩壇的「詩人」票選

The Creating and Shifting of Canon–An Essay on Poet Polls of Taiwan Modern Poetry World

詩壇，是一個權力資本構築的文化場域，資本的累積形成了新的文化權力與策略，控制了主流的詩學走向，而票選或者詩選，就變成詩壇各流派彼此角逐（排他）或合作的重要象徵，而在詩史的長流裡，詩社（刊）扮演著詩潮內主導或改變的契機角色，不同的群體透過不同的鏈結，形成不同的運動與運作，力圖去塑造或改變時代意識，見證時代思維，推動時代潮流。於是，「票選」與「詩選」變成為詩壇裡非常有趣的現象，再加上網路詩人反文化霸權的解離性格，使得平面詩壇除了必須透過各種「票選」或者「詩選」來建造經典，排拒不同美學觀點的其他流派，一邊鞏固流派或個人的文化權力，還要一邊抵抗（或者忽視？）一群有戰鬥性格的網路寫手本文以台灣詩壇平面至媒體的幾次「詩人票選」作為討論對象，一方面我們從另一種爭奪文化權力與型塑典律的方式來觀察「詩人票選」，可以證明台灣新詩的發展趨勢存在著主流與邊緣藉由「抵制／抗拒（解構、顛覆）」、「收編／反利用」的辯證，來塑造所謂的經典，提高自身社群的文化權力。而在此權力架構中，可以發現過去以紙媒體為主的詩壇，似乎將本土的詩人視為邊緣，而九0年代以降的紙媒詩壇，則刻意忽視網路詩界的存在，而網路百大詩人的票選，便可以視為對紙媒詩界的嘲弄。另一方面藉此論述，突顯台灣戰後新詩的發展趨勢，九0年代以降，發表媒體與書寫工具的迅速進步，使得年輕詩人，進入網路，讓平面媒體與數位媒體在九0年代迄今，變成背離卻又互構的狀態，並藉此探討新詩典律（CANON）在台灣詩壇的製造與傾斜。

The“poetry world”is a culture domain constructed of power capital. The accumulating of capital forms the new culture power and strategy, controls the orientation of mainstream poetry study. The polls or the selected poetry collection become an important symbol of one specific poetry society competing against or cooperating with another. In the long history of poetry, poetry societies (poetry periodical) play the key roles that lead or redirect poetry movement. Different groups, via different connections, construct different movements and operations. They try hard to create or to change the consciousness, to witness the thought, to promote the trend of era. Thus, the polls or selected poetry collection become a very interesting phenomenon in the“poetry world”. Moreover, the internet poet's solitude disposition of anti-culture-hegemonism forces the traditional poetry society to build up“classic model”by different polls and selected poetry collection, to eliminate the other poetry societies with different aesthetic viewpoint, to strengthen their (or his) culture power, and to resist (or to ignore?) a group of internet writers full of fighting character. This essay takes several“poet polls”holding by Taiwan paper-based poetry society and media as objects of discussion. On one hand we can observe“poet polls”through another viewpoint of contending culture power and constructing canon. This can prove that the development trends of Taiwan modern poetry are formed via dialectics of“resist/refuse (deconstruct/overturn)”,“incorporation/use-back”between mainstream and edge thoughts, to sculpture so called“classic model”, and to elevate the specific poetry society's culture power. While in this power structure, we can find out that the past paper-based“poetry world”seems to place indigent poets on the edge, down to the 21st century, the same group ignores the existence of internet“poetry world”on purpose. Thus,“the 100 major internet poet polls”can be considered derision to paper-based“poetry world”. On the other hand, this essay will discuss the Taiwan post-war poetry development tendency. Since the 21th century, the advance by leaps and bounds of publishing media and writing tools encourages young poet join the internet environment. This made paper-based media and digital media become deviation parts, but they paradoxically construct each other at the same time. We can take this paradox as a gap to discuss creating and shifting of modern poetry Canon in Taiwan“modern poetry world”.